I don't often get excited about computer software, but our new Data Grooming software is really exciting (well for me anyway).
The features list is greatly improved so in turn our clients get a better service. First, we've increased the list of classical composers in the database. Previously we'd found 40 pretty adequate but we've got many more now. I'll be surprised if we find any names to be added to the list.
Handling artist names is also much better. We can now remove one of the most annoying features of modern music - tha apparently endless use of 'featuring', 'feat.' and so on. It can increase the number of performers in a collection and make it hard to find the track you want via the Artist route. Well, say that annoyance goodbye.
Handling Disc 1 etc is more thorough, adding artist name to 'Best of' and 'Greatest Hits' works just as well, and is a little faster.
There's a facility to correct the inappropriate use of capital letters though I've yet to get to grips with the detail of how that works.
Anyway, enough for now, I'm off to play with our new toy. Any data you'd like us to groom for you?
Want your CDs on your iPod, iPhone, Sonos? Don't have time? That's where we come in - we'll collect your CDs and turn them into a high quality digital music library. www.podserve.co.uk
Wednesday, April 25, 2007
Wednesday, April 04, 2007
AAC 1 - MP3 0
Looking at the small print in the recent Apple / EMI announcment about DRM free music it seems that the music file of choice will be Apple's AAC, and not the previously universal MP3. Why?
Well, recently Microsoft got hit by a massive lawsuit alleging copyright infringement over the technical rights to the MP3 codec. Perhaps neither Apple nor EMI fancied being hit in the same way.
Maybe EMI saw this as another way of controlling the distribution of their tracks. Maybe the thinking was MP3 is synonymous with those evil file sharing pirates, so AAC could be 'safer' in that respect.
I originally thought this was a simple marketing ploy to enable Apple to market their products (ie iTunes Music Store tracks) to Zune and the users of other MP3 players. It's more than that, each MP3 manufacturer will come under pressure to release firmware updates to support AAC on their players. users will have to find the upgrade, download it, apply it to their machine - how many will just not bother and buy a new iPod instead?
At a sweep Apple and EMI may have changed the drift of digital music. Where once MP3 was seen as the universal standard that accolade could fall to AAC.
Well, recently Microsoft got hit by a massive lawsuit alleging copyright infringement over the technical rights to the MP3 codec. Perhaps neither Apple nor EMI fancied being hit in the same way.
Maybe EMI saw this as another way of controlling the distribution of their tracks. Maybe the thinking was MP3 is synonymous with those evil file sharing pirates, so AAC could be 'safer' in that respect.
I originally thought this was a simple marketing ploy to enable Apple to market their products (ie iTunes Music Store tracks) to Zune and the users of other MP3 players. It's more than that, each MP3 manufacturer will come under pressure to release firmware updates to support AAC on their players. users will have to find the upgrade, download it, apply it to their machine - how many will just not bother and buy a new iPod instead?
At a sweep Apple and EMI may have changed the drift of digital music. Where once MP3 was seen as the universal standard that accolade could fall to AAC.
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